Buscar na linha fria do horizonte / A árvore, a praia, a flor, a ave, a fonte...*

Marianela Nuñez, Myrtha em Giselle.

Tamara Rojo, Nikiya em La Bayadère.

"It is the eyes, looking straight out, that give the dancer the the quality of aplomb or self-assurance and complete composure. However, the tenets of ballet, have never demanded a slavish frontal focus, but rather favor turning or tilting the head to enhance a position, with the gaze oriented in the same direction as the head."  (Anna Paskevska, Ballet beyond Tradition, Routledge, 2005, p. 82 - it's good to know)

* Fernando Pessoa, "Horizonte".